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Messe de Nostre Dame (Mass of Our Lady) is a polyphonic mass composed before 1365 by French poet and composer Guillaume de Machaut (c. 1300–1377). Widely regarded as one of the masterpieces of medieval music and of all religious music, it is historically notable as the earliest complete setting of the Ordinary of the Mass attributable to a ...
Mass song (Russian: массовая песня Massovaya pesnya) was a genre of Soviet music that was widespread in the Soviet Union. A mass song was written by a professional or amateur composer for individual or chorus singing and intended for "broad masses" of Soviet people.
The Mass (Latin: missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass.
The obsessive theme of death deepens and is placed in special relief in his late production. Heartbreaking given the circumstances of his composition is the funeral march included in String Quartet No. 15 (1974), completed in hospital and entirely permeated by the idea of death, in «a disconsolate and tragic farewell to life» of the author ...
Missa Papae Marcelli does not (as far as is known) make use of any pre-existing theme. The motif of a rising perfect fourth and stepwise return (illustrated) is used extensively throughout this mass. [3] It is similar in profile to the opening of the French secular song "L'homme armé", which provided the theme for many Renaissance masses. But ...
Jeanne and Gideon are the parents of Blaze Bernstein. On Jan. 2, 2018, then-19-year-old Blaze left his house. Sometime later that night, he was murdered in Borrego Park, stabbed 28 times; his body ...
Music for the Requiem Mass is any music that accompanies the Requiem, or Mass for the Dead, in the Catholic Church. This church service has inspired hundreds of compositions, including settings by Victoria , Mozart , Berlioz , Verdi , Fauré , Dvořák , Duruflé and Britten .
There are two sources preserving the mass. One is the Chigi Codex (f.106v to 114r), which was copied for Philip I of Castile sometime between 1498 and 1503, shortly after Ockeghem's death. The other is the Vienna manuscript (Wien, Österreichische Nationalbibliothek , Handschriftensammlung, MS 11883, f.208r to 221r).