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"Man in the Mirror" is a song by the American singer Michael Jackson. It was written by Glen Ballard and Siedah Garrett and produced by Jackson and Quincy Jones . It was released in January 1988 as the fourth single from Jackson's seventh solo album, Bad (1987).
Basil Glen Ballard Jr. (born May 1, 1953) is an American songwriter, lyricist, and record producer. [1] He is best known for co-writing and producing on Wilson Phillips' debut and sophomore albums, Wilson Phillips and Shadows and Light, as well as co-writing and producing on Alanis Morissette's 1995 album Jagged Little Pill [2] and Dave Matthews Band's 2001 album Everyday.
Man in the Mirror: The Michael Jackson Story is a 2004 biographical drama television film directed by Allan Moyle and written by Claudia Salter. [1] It stars Flex Alexander as American pop star Michael Jackson, and follows his rise to fame and subsequent events. [2] The film takes its title from one of Jackson's songs, "Man in the Mirror".
Littlewood’s law of miracles states that in the course of any normal person’s life, miracles happen at a rate of roughly one per month. The proof of the law is simple. During the time that we are awake and actively engaged in living our lives, roughly for 8 hours each day, we see and hear things happening at a rate of about one per second.
“Coincidence,” an early standout track on Sabrina Carpenter’s sixth studio album “Short n’ Sweet,” has fans entering detective mode. On X, the platform formerly known as Twitter ...
Man in the Mirror From incomplete disambiguation : This is a redirect from an incomplete disambiguation, a page name that is too ambiguous to be the title of an article or other project page. Such titles should redirect to an appropriate disambiguation page (or section of it), or to a more complete disambiguation.
"Mirror" is a song by American record producer Porter Robinson. It was released on August 26, 2020, as the third single from his second studio album Nurture (2021), by Mom + Pop . The song addresses themes of shame and self-criticism, and Robinson viewed it as a means to overcome his fears of external disapproval.
He added, "You looked fabulous, by the way. And if you didn’t wear what you wore, I wouldn’t have seen you. You was fabulous, amazing. I was like, 'Oooh, Keke, come here, girl.'"