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In 1900, the American naturalist Edward William Nelson described the kăk-whăn’-û-ghăt kǐg-û-lu’-nǐk among a number of other mythical and composite animals: [1]. It is described as being similar in form to the killer whale and is credited with the power of changing at will to a wolf; after roaming about over the land it may return to the sea and again become a whale.
During the 19th century, the word 'codex' became popular to designate any pictorial manuscript in the Mesoamerican tradition. In reality, pre-Columbian manuscripts are, strictly speaking, not codices, since the strict librarian usage of the word denotes manuscript books made of vellum, papyrus and other materials besides paper, that have been sewn on one side. [1]
Native American Mythology. Dover Publications. ISBN 978-0-486-12279-3. Bastian, Dawn Elaine; Judy K. Mitchell (2004). Handbook of Native American Mythology. ABC-CLIO. ISBN 978-1-85109-533-9. Erdoes, Richard and Ortiz, Alfonso: American Indian Myths and Legends (New York: Pantheon Books, 1984) Ferguson, Diana (2001). Native American myths ...
The long vowels /iː, oː, aː/ are paired with the short vowels /i, o, a/, and are written with double symbols ii, oo, aa that correspond to the single symbols used for the short vowels i, o, a . The long vowel /eː/ does not have a corresponding short vowel, and is written with a single e . [19] The short vowels are: i, o, a . [20]
Another narrative is the recurrent battle between Thunderbird and the "Mimlos-Whale", an orca that repeatedly escapes to sea after capture, and this struggle resulted in great tremors in the mountains and leveling of trees, offering a mythic explanation of the origin of the Olympic Peninsula prairies. [11]
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Comparison of size of orca (Orcinus orca) and human. Compared with the original workː I have altered the size of the diver. I assumed a height of '''1.80 metres''' for the diver (from head to heel not to end of flipper) (this is a slightly-taller-than-average male), and a length of '''6.5 meters''' for the orca (females average 6 metres while ...
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...