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The original lyrics are probably by Mozart himself; [1] they include the words for "good night" in five different languages (Latin, Italian, French, English, and German). [2] [3] The phrase "gute Nacht, gute Nacht, / scheiß ins Bett daß' kracht", found in the fourth-to-last and third-to-last lines, closely resembles a similar expression found in a postscript to one of Wolfgang's letters by ...
"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss.It is designated Opus 27, Number 4.. The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany.
In 1964, Petula Clark recorded the English rendition Thank you, which was released as a single in the UK. "Danke für diesen guten Morgen" has been included in the hymnal Evangelisches Gesangbuch as EG 334. [1] "Danke" has been called the best-known German sacred song, according to Jörg Döring who analyzed its rhetoric. [1]
Markus Pytlik wrote "Möge die Straße uns zusammenführen" in 1988, in an effort to express faith in contemporary texts and music in a genre later known as Neues Geistliches Lied (NGL). [1] He said that he returned from vacation in Ireland in 1988 with souvenirs including a postcard with the Irish travel blessing "May the road rise to meet you ...
Schließe mir die Augen beide" is a poem by Theodor Storm from his 1851 collection Sommergeschichten und Lieder (Summer Stories and Songs). [1] Helene Nahowski (1910), by Arnold Schoenberg. It was twice set to music by Alban Berg. Berg composed his first setting in 1907, dedicating it to his future wife, Helene Nahowski .
Von heute auf morgen (From Today to Tomorrow or From One Day to the Next) is a one act opera composed by Arnold Schoenberg, to a German libretto by "Max Blonda", the pseudonym of Gertrud Schoenberg, the composer's wife.
Von morgens bis mitternachts is an expressionist play written by the German dramatist Georg Kaiser in 1912. The play was banned by German censors for unclear reasons; contemporary accounts stated that the play was neither immoral nor anarchistic. [1] In 1917 the play was produced by the Austrian theatre director Max Reinhardt.
From Morn to Midnight (German: Von morgens bis mitternachts) is a 1920 German silent expressionist film directed by Karlheinz Martin based on the 1912 play From Morning to Midnight by Georg Kaiser. It is one of the most radical films of the German Expressionist movement.