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The Great God Pan is an 1894 horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write The Great God Pan by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the newspaper The Whirlwind in 1890
The Great God Pan, The Three Impostors, "The White People," The Hill of Dreams Signature Arthur Machen ( / ˈ m æ k ən / or / ˈ m æ x ən / ; 3 March 1863 – 15 December 1947) [ 1 ] was the pen-name of Arthur Llewellyn Jones , a Welsh author and mystic of the late 19th and early 20th centuries.
Justinus Primitive produced the Pan-inspired album Praise Pan, Great God Pan, and the songs "On Becoming Water", "Praise Pan, Great God Pan", and "Transformation Mantra". In "Joueur de flute" by Albert Roussel, one of the four movements is named after Pan. "Dryades et Pan" is the last of three Myths for violin and piano, Op. 30, by Karol ...
A reference to another Palodes is in Plutarch's De defectu oraculorum ("Obsolescence of Oracles") [2] of which a common reading is that the Greek god Pan is dead. During the reign of Tiberius (AD 14-37), Plutarch records, the news of Pan's death came to one Thamus, a sailor on his way to Italy by way of the islands of Paxi .
The Great God Pan has been listed as one of the Language and literature good articles under the good article criteria. If you can improve it further, please do so . If it no longer meets these criteria, you can reassess it.
According to Hyginus, Aegipan was the son of Zeus (some sources say his son Apollo) and Aega (also named Boetis or Aix), [1] and was transferred to the stars. [2] Others again make Aegipan the father of Pan, and state that he as well as his son were represented as half goat and half fish, similar to a satyr. [3]
The god Pan first occurred in Jean Giono's works in the 1924 poetry collection Accompagné de la flûte.He is then mentioned in Giono's private correspondence, appears in his first written novel Naissance de l'Odyssée, and was the subject of an unpublished magazine article in the 1920s.
The Great God Pan is a sculpture on the Lewisohn Lawn at Columbia University in New York City. It was crafted by George Grey Barnard (1863 – 1938) in 1899. The sculpture was commissioned in 1895 by Alfred Corning Clark and gifted by Edward Severin Clark to Columbia in 1907. Pan weighs more than three tons altogether with its granite plinth base.
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