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1820–1849. 1850–1879. 1880–1919. 1920–1949. 1950–1969. 1970–present. Music history of the United States. Colonial era – to the Civil War – During the Civil War – Late 19th century – 1900–1940 – 1950s – 1960s – 1970s – 1980s. This is a timeline of music in the United States from 1880 to 1919.
In the later decades of the 19th century, the music industry became dominated by a group of publishers and song-writers in New York City that came to be known as Tin Pan Alley. Tin Pan Alley's representatives spread throughout the country, buying local hits for their publishers and pushing their publisher's latest songs.
1950–1969. 1970–present. Music history of the United States. Colonial era – to the Civil War – During the Civil War – Late 19th century – 1900–1940 – 1950s – 1960s – 1970s – 1980s. This timeline of music in the United States covers the period from 1850 to 1879. It encompasses the California Gold Rush, the Civil War and ...
In Louisiana, drums remained legal well into the 19th century. There, African slaves, many from the Caribbean islands, danced in large groups, often in circle dances.As of 1817, dancing in New Orleans had been restricted to the area called Congo Square, which was a hotbed of musical fusionism, as African styles from across America and the Caribbean met.
Music of theUnited States. Music history of the United States includes many styles of folk, popular and classical music. Some of the best-known genres of American music are rhythm and blues, jazz, rock and roll, rock, soul, hip hop, pop, and country. The history began with the Native Americans, the first people to populate North America.
Evelyn Foster Morneweck (niece) Stephen Collins Foster (July 4, 1826 – January 13, 1864), known as "the father of American music", was an American composer known primarily for his parlour and minstrel music during the Romantic period. He wrote more than 200 songs, including " Oh!
The United States has also seen documented folk music and recorded popular music produced in the ethnic styles of the Ukrainian, Irish, Scottish, Polish, Hispanic, and Jewish communities, among others. Many American cities and towns have vibrant music scenes which, in turn, support a number of regional musical styles.
A distinctly American musical style, ragtime may be considered a synthesis of African syncopation and European classical music, especially the marches made popular by John Philip Sousa. Some early piano rags were classified as "jig", "rag", and "coon songs". These labels were sometimes used interchangeably in the mid-1890s, 1900s, and 1910s. [23]