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List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — — 17 equal ...
Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing ...
The following is a list of ... DOG EAR Tritone Substitution for Jazz Guitar ... List of musical intervals; List of pitch intervals; List of musical scales and modes ...
Again, this implies that the notes are drawn from a chromatic scale tuned with 12-tone equal temperament. For some fretted string instruments, such as the guitar and the bass guitar, scales can be notated in tabulature, an approach which indicates the fret number and string upon which each scale degree is played.
The scale originated in Nicolas Slonimsky's book Thesaurus of Scales and Melodic Patterns through the "equal division of one octave into two parts," creating a tritone, and the "interpolation of two notes," adding two consequent semitones after the two resulting notes. [15] The scale is the fifth mode of Messiaen's list.
The chord-scale system may be compared with other common methods of improvisation, first, the older traditional chord tone/chord arpeggio method, and where one scale on one root note is used throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression: A 7 E 7 D 7).
This is not so of the modes of limited transposition, which can be modally shifted only a limited number of times. For example, mode 1, the whole tone scale, contains the intervals tone, tone, tone, tone, tone, tone. Starting on any degree of the mode gives the same sequence of intervals, and therefore the whole tone scale has only 1 mode.
The composer Olivier Messiaen called the whole-tone scale his first mode of limited transposition. The composer and music theorist George Perle calls the whole-tone scale interval cycle 2, or C2. Since there are only two possible whole-tone-scale positions (that is, the whole-tone scale can be transposed only once), it is either C2 0 or C2 1.
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