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Pliny's Panegyricus model is familiar to the authors of panegyrics 5, 6, 7, [18] 11, and especially 10, in which there are several verbal likenesses. Sallust's Bellum Catilinae is echoed in the panegyrics 10 and 12, and his Jugurthine War in 6, 5, and 12. [19] Livy seems to have been of some use in panegyric 12 [20] and Panegyric 8. [21]
Title page of the Panegyric of Leonardo Loredan (1503), created in honour of Leonardo Loredan, 75th Doge of Venice, now in the Walters Art Museum in Baltimore. A panegyric (US: / ˌ p æ n ɪ ˈ dʒ ɪ r ɪ k / or UK: / ˌ p æ n ɪ ˈ dʒ aɪ r ɪ k /) is a formal public speech or written verse, delivered in high praise of a person or thing. [1]
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The Panegyricus Serenissimo Principi Leonardo Lauredano, anglicised as Panegyric to the Most Serene Prince Leonardo Loredan is an early 16th-century manuscript written in Latin in honour of Leonardo Loredan, who reigned as the 75th Doge of Venice from 1501 until his death in 1521.
A panegyris (Ancient Greek: πανήγυρις "gathering"), is an Ancient Greek general, national or religious assembly. [1] [2] Each was dedicated to the worship of a particular god.
Price and total revenue have a negative relationship when demand is elastic (price elasticity > 1), which means that increases in price will lead to decreases in total revenue. Price changes will not affect total revenue when the demand is unit elastic (price elasticity = 1). Maximum total revenue is achieved where the elasticity of demand is 1.
He began to write panegyrics in the tradition established by the poets Abu Tammam and al-Buhturi. In 948 he joined the court of Sayf al-Dawla , the Hamdanid poet-prince of northern Syria. Sayf al-Dawla was greatly concerned with fighting the Byzantine Empire in Asia minor , where Al-Mutanabbi fought alongside him.
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