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The creation of the tangent piano, and the fortepiano, were the results of attempts to remedy the lack of dynamics in harpsichord sound. Both the tangent piano and fortepiano offered a variety of sound that was appealing to the changes in classical music, which featured more expressiveness and intensity than the harpsichord could offer.
Ex. 1 A figured bass line, and a realization for theorbo (Thomas Mace, 1676) [3] (play) Audio simulation Ex. 2 Four realizations of a short figured bass (1753) [4] (play) Ex. 3 A figured bass, and a guitar realization (Nicola Matteis, 1682) [5] (play) Ex. 4 Bach MS: the keyboard part is thought to be an extremely rare transcription of a live ...
Fortepiano by Paul McNulty after Walter & Sohn, c. 1805 A fortepiano [ˌfɔrteˈpjaːno] is an early piano.In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century.
Harpsichord. Clavicymbalum; Lautenwerck; Hurdy-gurdy; Marxophone; Piano. Fortepiano; Tangent piano; Xenorphica; Additionally, members of the harpsichord and piano families may also use alternative setups to make the instruments more compact: Portable Folding harpsichord; Orphica; Spinets. Oval spinet; Square Square piano; Virginals; Uprights ...
The fortepiano dynamic as it appears in modern music. The expression fortepiano (sometimes called forte piano) is a sudden dynamic change used in a musical score, usually with the abbreviation fp, to designate a section of music in which the music should be played loudly (forte), then immediately softly (piano). [1]
In popular music, the bass part, which is called the "bassline", typically provides harmonic and rhythmic support to the band. The bass player is a member of the rhythm section in a band, along with the drummer, rhythm guitarist, and, in some cases, a keyboard instrument player (e.g., piano or Hammond organ). The bass player emphasizes the root ...
Johann Christian Bach - 6 Concertos for Harpsichord, Op. 1; 5 Concertos for Harpsichord; Concerto for Harpsichord in F minor; 6 Concertos for Keyboard, Op. 7; 6 Concertos for Keyboard, Op. 13; Wolfgang Amadeus Mozart - Harpsichord concertos Nos 1–4 (KV. 37, 39, 40 and 41) and unnumbered K. 107, arrangements of sonata movements by other composers.
Gary Cooper (born 1968, London) [1] is an English conductor and classical keyboardist who specialises in the harpsichord [2] and fortepiano. [3] He is known as an interpreter of the keyboard music of Bach and Mozart, and as a conductor of historically informed performances of music from the Renaissance, Baroque, Classical and Romantic periods.