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The concept was innovated within acoustic enclosure design, and originally termed an "acoustical labyrinth", by acoustic engineer and later Director of Research, Benjamin Olney, who developed the concept at the Stromberg-Carlson Telephone Co. in the early 1930s while studying the effect of enclosure shape and size on speaker output, including ...
A loudspeaker enclosure or loudspeaker cabinet is an enclosure (often rectangular box-shaped) in which speaker drivers (e.g., loudspeakers and tweeters) and associated electronic hardware, such as crossover circuits and, in some cases, power amplifiers, are mounted.
Isobaric loudspeaker in a cone-to-magnet (in-phase) arrangement. The image above shows a sealed enclosure; vented enclosures may also use the isobaric scheme. Two identical loudspeakers are coupled to work together as one unit: they are mounted one behind the other in a casing to define a sealed chamber of air in between them. The volume of ...
The two most common types of speaker enclosure are acoustic suspension (sometimes called pneumatic suspension) and bass reflex.In both cases, the tuning affects the lower end of the driver's response, but above a certain frequency, the driver itself becomes the dominant factor and the size of the enclosure and ports (if any) become irrelevant.
The 1925 paper [1] of Chester W. Rice and Edward W. Kellogg, fueled by advances in radio and electronics, increased interest in direct radiator loudspeakers. In 1930, A. J. Thuras of Bell Labs patented (US Patent No. 1869178) his "Sound Translating Device" (essentially a vented box) which was evidence of the interest in many types of enclosure design at the time.
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In the late 1990s, Danley designed the SPL-td1, his first trapezoidal "top box" intended to deliver the mid- and high frequency sounds to complement a subwoofer. The SPL-td1, produced in 2000, was a 3-way speaker which used seven drivers exiting into the same horn to deliver greater coherence.
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