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The Tahitian pāreu are among the most colourful and bright of the Pacific. Originally flower patterns, the hibiscus flowers in particular, or traditional tapa patterns, were printed in bright colours on a cotton sheet of about 90 or 120 cm wide and 180 cm long. Nowadays they are also made in Tahiti itself and dye painting with varying colours ...
In Antioquia, the ruana was part of the clothing worn by the peasants of this region, as also was the cabuya espadrilles, Aguadeño hat, machete, Carriel, the cowhide and of course the ruana. The ruana is made of sheep's wool and has dark colors. Formerly it had as ornament large red and yellow stripes, but day by day the ruana has been made ...
Some appear as a checkerboard pattern. Seersucker is used by adding commercial threads in stripes along with the handspun threads. The commercial threads do not shrink when washed and the puckering effect is created. Weft brocade is a decorative technique where heavier threads are introduced in the weft to create patterns. A looped brocade is ...
A group of Nigerian women wearing a blouse and wrapper sets with Gele . The wrapper, lappa, or pagne is a colorful garment widely worn in West Africa by both men and women. . It has formal and informal versions and varies from simple draped clothing to fully tailored ensembl
Ifugao women in Banaue wearing alampay. The Tapis has been in use in the Philippine archipelago since at least the indigenous period before the arrival of Europeans. Spanish chroniclers from the period noted that this mode of dress remained common on many islands despite Spanish efforts to introduce what they considered more suitable clothing.
Batik is a cloth that is traditionally made using a manual wax-resist dyeing technique to form intricate patterns. Traditionally batik cloth is a large piece of intricately decorated cloth used by Javanese women as kemben or torso wrap.
The wave-like patterns may have in fact been inspired by Neolithic motifs and natural phenomena (i.e., waves, clouds, indigenous flora and fauna). [17] Acheik -type designs are found on pottery dating back to the Pyu city states (400s-900s CE), as well as in temple wall paintings dating back to the Bagan Kingdom era (1000s-1200s CE). [ 2 ]
Marama is decorated with white patterns woven onto a white background and often grouped toward the ends. In Argeș, the patterns can include coloured geometric motifs. [14] After the wedding ritual – "bride's binders", "bride undressing" – the godmother traditionally gifts the bride a basma or maramă. [15]