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Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style).
Charles Daniels is an English tenor, particularly noted for his performances of baroque music. He is a frequent soloist with The King's Consort, and has made over 25 recordings with the ensemble on the Hyperion label. [1]
Aryeh Nussbaum Cohen (born 1994) [1] is an American countertenor known for bringing his "ravishing…otherworldly" [2] instrument to a broad range of repertoire spanning the Baroque to the contemporary.
Musica Angelica is an internationally performing Baroque orchestra based in Long Beach, California and led by music director Martin Haselböck, an Austrian organist, professor, and conductor. Currently oboist and guitarist Gonzalo X. Ruiz functions as the associate director of the ensemble and is set to take over in a year.
Orliński's debut solo album, Anima Sacra, was released on the Erato label on 26 October 2018, with music by orchestra Il Pomo d'Oro conducted by Maxim Emelyanychev. It consists of Baroque arias by various composers from the Neapolitan School, including what is thought to be world premiere recordings of eight works. [15] [16]
The bassoon repertoire consists of pieces of music composed for bassoon as a principal instrument that may be performed with or without other instruments. Below is a non-exhaustive list of major works for the bassoon.
Bach Collegium Japan (BCJ) is composed of an orchestra and a chorus specializing in Baroque music, playing on period instruments.It was founded in 1990 by Masaaki Suzuki with the purpose of introducing Japanese audiences to European Baroque music; Suzuki is still the music director.
His compositions provide some of the most important examples of popular Spanish baroque music for the guitar and now form part of classical guitar pedagogy. Sanz's manuscripts are written as tablature for the baroque guitar and have been transcribed into modern notation by numerous guitarists and editors; Emilio Pujol's edition of Sanz's Canarios being a notable example.
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