Search results
Results from the WOW.Com Content Network
Wassily Wassilyevich Kandinsky [a] ... Theosophical theory postulates that creation is a geometrical progression, beginning with a single point. ... (synesthesia).
The phrase synesthesia in art has historically referred to a wide variety of artists' experiments that have explored the co-operation of the senses (e.g. seeing and hearing; the word synesthesia is from the Ancient Greek σύν (syn), "together," and αἴσθησις (aisthēsis), "sensation") in the genres of visual music, music visualization, audiovisual art, abstract film, and intermedia ...
Kandinsky's pieces were part of a larger trend of their era that addressed color theory and synesthesia in works that blended multiple art forms and media. Such works — Scriabin's Prometheus (1910) is arguably among the best known — utilized lighting techniques and other innovations to extend the normal range of artistic expression. [ 4 ]
It tells the story of Russian-born abstract artist Vasily Kandinsky, "who is known for his abstract paintings with colorful geometric shapes and bold strokes". [1] Kandinsky likely "experienced synesthesia, the neurological phenomenon that blurs the boundaries between the senses". [2] The Noisy Paint Box was awarded a Caldecott Honor in 2015.
As Macdonald-Wright said,"Synchromism simply means 'with color' as symphony means 'with sound.'" [3] The phenomenon of "hearing" a color or the pairing of two or more senses--synesthesia—was also central to the work of Wassily Kandinsky, who was developing his own synesthetic paintings, or "compositions," in Europe at approximately the same time.
[5] [128] Like Kandinsky, he "found inspiration in Theosophy and the occult, and promoted a subjective-intuitive approach to art." [129] Among the Theosophical sources, Besant and Leadbeater's book Thought-Forms [22] had great influence for him. [130] He interested in the Theosophical theory of colour as well as scientific one. [131]
Synesthesia (American English) ... as did Goethe in his book Theory of Colours. [62] ... Kandinsky combined four senses: color, ...
Goethe famously said in 1807 that painting "lacks any established, accepted theory as exists in music". [2] [3] Kandinsky in 1911 reprised Goethe, agreeing that painting needed a solid foundational theory, and such theory should be patterned after the model of music theory, [2] and adding that there is a deep relationship between all the arts, not only between music and painting.