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The sousaphone (/ ˈ s uː z ə f oʊ n / SOO-zə-fohn) is a brass musical instrument in the tuba family. Created around 1893 by J. W. Pepper at the direction of American bandleader John Philip Sousa (after whom the instrument was then named), it was designed to be easier to play than the concert tuba while standing or marching, as well as to carry the sound of the instrument above the heads ...
The Wind chime is a musical instrument that is played by the Wind: ... reed instruments: oboe Sousaphone: aerophones: ... 3: stringed instruments: Portuguese guitar ...
The tres (Spanish for three) is a three-course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres.
Thus, even three-valved instruments with good alternative resonances can produce very low sounds in the hands of skilled players; instruments with four valves can play even lower. The lowest note in the widely known repertoire is a 16 Hz double-pedal C 0 in the William Kraft piece Encounters II , which is often played using a timed flutter ...
Brass instruments are one of the major classical instrument families and are played across a range of musical ensembles. Orchestras include a varying number of brass instruments depending on music style and era, typically: two or three trumpets; four to eight French horns; two or three tenor trombones; one bass trombone; one tuba
The euphonium is a medium-sized, 3- or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, [2] meaning "well-sounding" or "sweet-voiced" (εὖ eu means "well" or "good" and φωνή phōnē means "sound", hence "of good sound").
Sousa's birthplace on G St., S.E. in Washington, D.C. John Philip Sousa was born in Washington, D.C., the third of 10 children of João António de Sousa (John Anthony Sousa) (September 22, 1824 – April 27, 1892), who was born in Spain to Portuguese parents, and his wife Maria Elisabeth Trinkhaus (May 20, 1826 – August 25, 1908), who was German and from Bavaria.
The groove is mostly provided by the sousaphone (or bass guitar in a few recordings) playing the bass line, and the alto horns playing sharp upbeats. Typically when a banda plays a cumbia, the alto horn players switch to Latin percussion instruments such as timbales, maracas, cowbell, congas, bongos and guiro.