Search results
Results from the WOW.Com Content Network
In Sophocles' Antigone (c. 441 BC), an ode to Dionysus begins by addressing Dionysus as the "God of many names" (πολυώνυμε), who rules over the glens of Demeter's Eleusis, and ends by identifying him with "Iacchus the Giver", who leads "the chorus of the stars whose breath is fire" and whose "attendant Thyiads" dance in "night-long ...
Night is the first in a trilogy—Night, Dawn, Day—marking Wiesel's transition during and after the Holocaust from darkness to light, according to the Jewish tradition of beginning a new day at nightfall. "In Night," he said, "I wanted to show the end, the finality of the event. Everything came to an end—man, history, literature, religion, God.
In his letter To the Cynic Heracleios, Julian wrote "I have heard many people say that Dionysus was a mortal man because he was born of Semele and that he became a god through his knowledge of theurgy and the Mysteries, and like our lord Heracles for his royal virtue was translated to Olympus by his father Zeus." However, to Julian, the myth of ...
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
Wiesel has written more than fifty books and has won the Nobel Peace Prize. Soon after earning the Nobel Prize, Wiesel and his wife Marion founded the Elie Wiesel Foundation for Humanity. Eliezer Wiesel explains, "In Night, it is the 'I' who speaks. In the other two, it is the 'I' who listens and questions."
In addition, Dionysus is known as Lyaeus ("he who unties") as a god of relaxation and freedom from worry and as Oeneus, he is the god of the wine press. In the Greek pantheon, Dionysus (along with Zeus) absorbs the role of Sabazios, a Phrygian deity. In the Roman pantheon, Sabazius became an alternate name for Bacchus. [14]
Alma-Tadema accurately recreates on his canvas the events recounted by Plutarch, in his book Moralia: "At the time when usurpers from Phocis seized the sanctuary of Delphi and the Thebans declared the so-called sacred war on them, the women in the service of Dionysus, who are called the maenads, in a trance and wandering at night, did not ...
On the first day of the festival, the pompē ("pomp", "procession") was held, in which citizens, metics, and representatives from Athenian colonies marched to the Theatre of Dionysus on the southern slope of the Acropolis, carrying the wooden statue of Dionysus Eleuthereus, the "leading" or eisagōgē (εἰσαγωγή, "introduction").