Search results
Results from the WOW.Com Content Network
For the ordinary diatonic scales described here, the T-s are tones and the s-s are semitones which are half, or approximately half the size of the tone.But in the more general regular diatonic tunings, the two steps can be of any relation within the range between T = 171.43 ¢ (for s = T at the high extreme) and T = 240 ¢ (for s = 0 at the low extreme) in musical cents (fifth, p5, between 685 ...
17-ET is the tuning of the regular diatonic tuning in which the tempered perfect fifth is equal to 705.88 cents, as shown in Figure 1 (look for the label "17-TET"). History and use [ edit ]
For other tuning schemes, refer to musical tuning. This list of frequencies is for a theoretically ideal piano. On an actual piano, the ratio between semitones is slightly larger, especially at the high and low ends, where string stiffness causes inharmonicity, i.e., the tendency for the harmonic makeup of each note to run sharp.
12 tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequencies of any adjacent pair of notes is the same.
The whole chromatic scale (a subset of which is the diatonic scale), can be constructed by starting from a given base note, and increasing or decreasing its frequency by one or more fifths. This method is identical to Pythagorean tuning, except for the size of the fifth, which is tempered as explained above.
English: Graph showing the frequencies and value in cents of the notes of the equal-tempered diatonic scale tuned to concert pitch (A4 = 440Hz), starting with C1 and ending with C5 (middle C = C4). Vertical grid lines correspond to equal-tempered semitones.
Diatonic scale on C, equal tempered Play ⓘ and Ptolemy's intense or just Play ⓘ.. Ptolemy's intense diatonic scale, also known as the Ptolemaic sequence, [1] justly tuned major scale, [2] [3] [4] Ptolemy's tense diatonic scale, or the syntonous (or syntonic) diatonic scale, is a tuning for the diatonic scale proposed by Ptolemy, [5] and corresponding with modern 5-limit just intonation. [6]
In these terms, some historically notable meantone tunings are listed below, and compared with the closest equitempered microtonal tuning. The first column gives the fraction of the systonic comma by which the perfect fifths are tempered in the meantone system. The second lists 5-limit rational intervals that occur within this tuning. The third ...