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Men generally received moko on their faces (moko kanohi), buttocks (raperape) and thighs (puhoro). Women usually wore moko on their lips (ngutu) and chins (kauae). Other parts of the body known to have moko include women's foreheads, buttocks, thighs, necks and backs and men's backs, stomachs, and calves. [5]
Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist. Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences. Full leg tattooed by Manu Farrarons. Freehand creation.
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A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
Tattoo artist Tavana Salmon (13 January 1920 – 24 September 2024) was a French Polynesian culture advocate and tattoo artist. [ 1 ] In 1982, he began his contributions to Polynesian culture through his tattoo practice.
Rapa Nui tattoo tools, Manchester Museum Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [ 3 ] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo ...
In modern times, tattoos are usually associated with Polynesian culture, due to the highly influential accounts of James Cook in his explorations of the Pacific in the 18th century. Cook introduced the word "tattoo" (archaic: "tattaow", "tattow") into the English vocabulary from Tahitian and Samoan tātau ("to tap"). However, tattoos existed ...