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The sonatas stem from a period late in Brahms's life where he discovered the beauty of the sound and tonal colour of the clarinet. [1] The form of the clarinet sonata was largely undeveloped until after the completion of these sonatas, after which the combination of clarinet and piano was more readily used in composers’ new works. [2]
Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.
Johannes Brahms: Clarinet Sonata No. 1 (1894) Clarinet Sonata No. 2 (1894) William Henry Hadow: Clarinet Sonata (1897) [5] Max Reger: Clarinet Sonata No. 1 (1900) Clarinet Sonata No. 2 (1900) Clarinet Sonata No. 3 (1909) Donald Francis Tovey: Clarinet Sonata in B-flat major, Op. 16 (1906) [6] Charles Villiers Stanford: Clarinet Sonata, Op. 129 ...
Richard Bernhard Herrmann Mühlfeld [1] (February 28, 1856 – June 1, 1907) was a German clarinettist who inspired Johannes Brahms and Gustav Jenner to write chamber works including the instrument. The pieces that Brahms wrote for him are the Clarinet Trio , the Clarinet Quintet , and the Clarinet Sonatas .
Johannes Brahms composed the Piano Sonata No. 2 in F ♯ minor, Op. 2, in 1852 in Hamburg, Germany, and it was published the year after. [1] Despite being his second published work, it was actually composed before his Piano Sonata No. 1 in C major, but was published later because Brahms recognized the importance of an inaugural publication and felt that the C major sonata was of higher quality.
The first movement is in conventional sonata form with a repeated exposition. The opening of the first theme resembles the opening of Beethoven's "Hammerklavier" Sonata. [1] [2] The second movement is a theme and variations inspired by the song Verstohlen geht der Mond auf. Brahms was to rewrite it for female chorus in 1859 (WoO 38/20).
D. 366 No. 17 for piano solo is the same Ländler as D. 814 No. 1 for piano duet; #17 in Brahms' set is a piano solo arr. of D. 814 No. 1, though markedly different from Schubert's piano solo version D. 366 No. 17; published 1869 A. deest: Christoph Willibald Gluck: Paride ed Elena: Gavotte in A major (arr. by JB) piano 4-hands [4] published 1901
Pages in category "Sonatas by Johannes Brahms" ... This list may not reflect recent changes. C. Cello Sonata No. 1 (Brahms) Cello Sonata No. 2 (Brahms) Clarinet ...
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