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Record restoration, a particular kind of audio restoration, is the process of converting the analog signal stored on gramophone records (either 78 rpm shellac, or 45 and 33⅓ rpm vinyl) into digital audio files that can then be edited with computer software and eventually stored on a hard-drive, recorded to digital tape, or burned to a CD or DVD.
One of the most renowned cleaning brushes are the RAMAR [7] record brushes. Based in Berlin, RAMAR specializes in audiophile designs and products that merge functionality and artistry. The record brushes from RAMAR are characterized by their unique brush trim and design [8]. Six double rows of carbon fibres and two rows of goat hair ensure ...
Use of shellac for records was common until the 1950s and continued into the 1970s in some non-Western countries, as well as for some children's records. [ 27 ] [ 28 ] Until recent advances in technology, shellac ( French polish ) was the only glue used in the making of ballet dancers' pointe shoes , to stiffen the box (toe area) to support the ...
Audio restoration can be performed directly on the recording medium (for example, washing a gramophone record with a cleansing solution), or on a digital representation of the recording using a computer (such as an AIFF or WAV file). Record restoration is a particular form of audio restoration that seeks to repair the sound of damaged ...
This page was last edited on 18 April 2020, at 03:54 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may ...
European shellac records – In the first three decades of the twentieth century European companies including Pathé, Odeon, and Fonotipia made recordings in a variety of sizes, including 21 cm. [citation needed] 9 in (23 cm) Early American shellac records – Prior to 1910, nine-inch brown shellac records were issued under the Zon-O-Phone label.
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The grooves are engraved into the master disc on a mastering lathe.Early versions of these master discs were soft wax, and later a harder lacquer was used.. The mastering process was originally something of an art as the operator had to manually allow for the changes in sound which affected how wide the space for the groove needed to be on each rotation.
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