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Like the first volume of Deleuze and Guattari's Capitalism and Schizophrenia, Anti-Oedipus (1972), A Thousand Plateaus is politically and terminologically provocative and is intended as a work of schizoanalysis, [2] but focuses more on what could be considered systematic, environmental and spatial philosophy, often dealing with the natural world, popular culture, measurements and mathematics.
Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
Schizoanalysis (or ecosophy, pragmatics, micropolitics, rhizomatics, or nomadology) (French: schizoanalyse; schizo-from Greek σχίζειν skhizein, meaning "to split") is a set of theories and techniques developed by philosopher Gilles Deleuze and psychoanalyst Félix Guattari, first expounded in their book Anti-Oedipus (1972) and continued in their follow-up work, A Thousand Plateaus (1980).
Deleuze, citing film writer Jean Mitry, sees Chaplin as giving "mime a new model, a function of space and time, a continuity constructed at each instant […] instead of being related to prior forms which it was to embody" as well as happening "in the street, surrounded by cars, along a pavement".
Masochism: Coldness and Cruelty (French: Présentation de Sacher-Masoch) is a 1967 book by the philosopher Gilles Deleuze, originally published in French as Le Froid et le Cruel (Les Éditions de Minuit, 1967), in which the author philosophically examines the work of the late 19th-century Austrian novelist Leopold von Sacher-Masoch.
Unhappy with the treatment of Franz Kafka’s work by scholars, Deleuze and Guattari wrote Kafka: Toward a Minor Literature in order to attack previous analyses of Kafka which they saw as limiting him either "by oedipalizing and relating him to mother-father narratives—or by trying to limit him to theological-metaphysical speculation to the detriment of all the political, ethical, and ...
Here, Deleuze remarks in the final preface of Francis Bacon that Bacon's art is "of a very special violence." [4]: x In saying this, he analyses the content of Bacon's paintings set on fields of color with little visual depth that make "use of spectacles of horror, crucifixions, prostheses and mutilations, monsters." [6]
A line of flight or a line of escape (French: ligne de fuite) is a concept developed by Gilles Deleuze and Félix Guattari in their work Capitalism and Schizophrenia.It describes one out of three lines forming what Deleuze and Guattari call assemblages, and serves as a factor in an assemblage that ultimately allows it to change and adapt to said changes, which can be associated with new ...