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1227–34 – A Play of Daniel with music is written at the school of Beauvais Cathedral. 1235–39 – Theobald I of Navarre, "Seignor, sachiés, qui or ne s’en ira" (chanson de croisade) 1239 – Theobald I of Navarre, "Au tens plain de felonie" (chanson de croisade)
Very little Italian music remains from the 13th century, so the immediate antecedents of the music of the Trecento must largely be inferred. The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive ...
Stylistically, the music of the ars nova differed from the preceding era in several ways. Developments in notation allowed notes to be written with greater rhythmic independence, shunning the limitations of the rhythmic modes which prevailed in the thirteenth century; secular music acquired much of the polyphonic sophistication previously found only in sacred music; and new techniques and ...
13th-century songs (2 C, 5 P) Pages in category "13th century in music" The following 7 pages are in this category, out of 7 total.
13th-century hymns (1 C, 3 P) W. Works by Walther von der Vogelweide (4 P) Pages in category "13th-century songs" The following 5 pages are in this category, out of 5 ...
Illumination with buisine players from the E Codex (Bl-2, fol. 286R). The Cantigas de Santa Maria (Galician: [kanˈtiɣɐz ðɪ ˈsantɐ maˈɾi.ɐ], Portuguese: [kɐ̃ˈtiɣɐʒ ðɨ ˈsɐ̃tɐ mɐˈɾi.ɐ]; "Canticles of Holy Mary") are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile El Sabio (1221–1284).
According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond. [1] The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people ...
The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). [1] The work was commissioned by Cardinal Francesco Maria del Monte, who had an avid interest in music. [2]