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An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations.Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws ...
Giulio Clovio, Adoration of the Magi.Double page from the Book of Hours of Cardinal Farnese, 1537–1546, Pierpont Morgan Library, M.69 (fols. 38v-39).. Renaissance illumination refers to the production of illuminated manuscripts in Western Europe in the late 15th and 16th centuries, influenced by the representational techniques and motifs of Renaissance painting.
Illuminated manuscript, the artistic decoration of hand-written texts; Illumination, British title of the 1896 novel The Damnation of Theron Ware by Harold Frederic; Illumination (decoration), a popular Moravian decoration used throughout Advent and Christmastide; Illumination (image), the use of light and shadow in art
The Illuminated Book: Conserving an Art Form The term illuminated manuscript comes from two sources, both of which originated in Medieval Latin. The first is manuscriptus, a combination of manu ‘by hand’ and scriptus ‘written’. The second is the Latin word illuminare, which translates to ‘adorned’.
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
John the Baptist (John in the Wilderness), by Caravaggio, 1604, in the Nelson-Atkins Museum of Art, Kansas City. Tenebrism, from Italian tenebroso ('dark, gloomy, mysterious'), also occasionally called dramatic illumination, is a style of painting using especially pronounced chiaroscuro, where there are violent contrasts of light and dark, and where darkness becomes a dominating feature of the ...
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The interlace is the best-known motif of Insular art. This decoration, however, is not limited to Celtic art of Insular illumination. It is also seen in some Egyptian papyrus, Byzantine and Italian works and some Anglo-Saxon works of art, like those found in the tomb at Sutton Hoo. But the use of this pattern in Insular manuscripts is almost ...