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The Brahmin Vedic scholar Bikshu Sastrigal translated the work under the name of Ulaganatha Swamigal. The Tamil version is a free translation of the original Sanskrit text and consists of 1,964 verses. [3] This Tamil translation is published by Sri Ramanashramam, Thiruvannamalai, Tamil Nadu, India.
The Shiva Purana contains chapters with Shiva-centered cosmology, mythology, and relationship between gods, ethics, yoga, tirtha (pilgrimage) sites, bhakti, rivers and geography, and other topics. [ 10 ] [ 2 ] [ 11 ] The text is an important source of historic information on different types and theology behind Shaivism in early 2nd-millennium ...
The text is titled after its theme, which is the worship of Linga, and the text is primarily focused on Shiva as Supreme. [ 1 ] [ 8 ] However, along with Shiva-related themes, the Linga Purana includes chapters dedicated to Vedic themes, as well as includes reverence for Vishnu as supremacy and Brahma .
Advised by his ministers, Ravana sang hymns in praise of Shiva for a thousand years. Finally, Shiva not only forgave Ravana, but also granted him an invincible sword called the Chandrahasa. Since Ravana cried, he was given the name "Ravana" – one who cried. The verses that Ravana sang were collected and became known as the Shiva Tandava ...
It presents yoga and vrata like the Bhagavad Gita, but as a discourse from Shiva. The discourse begins after Vishnu and Shiva embrace each other, according to the text, and then Vishnu invites Shiva to explain the nature of the world, life and self. Shiva explains Atman (soul, self), Brahman-Purusha, Prakriti, Maya, Yoga and Moksha. [2]
The Shiva Mahimna Stotra (Sanskrit: शिवमहिम्न:स्तोत्र, romanized: śiva-mahimnaḥ stotra, lit. 'Hymn about the greatness of Shiva') is a Sanskrit composition in praise of Shiva. According to tradition, the hymn is believed to have been composed by a gandharva (celestial musician) named Pushpadanta.
The Śiva·sūtras, technically akṣara·samāmnāya, variously called māheśvarāṇi sūtrāṇi, pratyāhāra·sūtrāṇi, varṇa·samāmnāya, etc., refer to a set of fourteen aphorisms devised as an arrangement of the sounds of Sanskrit for the purposes of grammatical exposition as carried out by the grammarian Pāṇini in the Aṣṭādhyāyī.
The Brahmavaivarta Purana, along with Bhagavata Purana, have influenced performance arts and cultural celebrations in India, such as with Rasa Lila in Manipur above.. This text is mostly legends, worship, mythology and drama during the life of Radha and Krishna, with discussion of ethics, dharma, four stages of life and festivals embedded as part of the plot.