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The jardin à la française evolved from the French Renaissance garden, a style which was inspired by the Italian Renaissance garden at the beginning of the 16th century. . The Italian Renaissance garden, typified by the Boboli Gardens in Florence and the Villa Medici in Fiesole, was characterized by planting beds, or parterres, created in geometric shapes, and laid out symmetrical patterns ...
André Mollet became royal gardener to Queen Christina in Stockholm.His lasting record is his handsomely-printed folio, Le Jardin de plaisir ("The Pleasure Garden") , Stockholm 1651, which he illustrated with meticulous copperplate engravings after his own designs, and which, with an eye to a European aristocratic clientele, he published in Swedish, French and German.
Gardens of the Château de Villandry View of the Diane de Poitiers' garden at the Château de Chenonceau Medici Fountain in the Jardin du Luxembourg, Paris. Gardens of the French Renaissance were initially inspired by the Italian Renaissance garden, which evolved later into the grander and more formal jardin à la française during the reign of Louis XIV, by the middle of the 17th century.
An English landscape park, a classic French garden, and a modern garden of fountains and basins are placed between a medieval château and a busy canal. The garden has an orangerie with rows of fruit trees and hedges beside the canal; a traditional kitchen garden; and boxwood hedges sculpted into shapes like flocks of sheep.
This was achieved in the Parterre de Latone in 2013, when the 19th century lawns and flower beds were replaced with boxwood-enclosed turf and gravel paths to create a formal arabesque design. Pruning is also done to keep trees between 17 and 23 metres (56 to 75 feet) tall, so as not to spoil the carefully calibrated perspectives of the gardens.
Mark Laird, Hugh Palmer: The Formal Garden. Traditions of Art and Nature. Thames and Hudson, London 1992, ISBN 0-500-01542-2. Günter Mader, Laila Neubert-Mader: The English Formal Garden. Five Centuries of Design. Aurum, London 1997, ISBN 1-85410-473-X. Allen S. Weiss: Mirrors of Infinity. The French Formal Garden and 17th-Century Metaphysics.
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