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Brancusi's Bird in Space sculptures inspired the Modernist poet, Ezra Pound, specifically his late Cantos which were written in the mid-twentieth century. The literary critic Lucy Jeffery highlights ways in which Brancusi's sculptural form influenced Ezra Pound, analysing Pound's Canto CXVII et seq., 815. Through close textual analysis and with ...
The Sculptural Ensemble of Constantin Brâncuși at Târgu Jiu (Romanian: Ansamblul sculptural Constantin Brâncuși de la Târgu-Jiu) is an homage to the Romanian heroes of the First World War. The ensemble comprises three sculptures: The Table of Silence ( Masa tăcerii ), The Gate of the Kiss ( Poarta sărutului ), and the Infinity Column ...
Walking to Paris is an upcoming biographical drama film directed and written by Peter Greenaway. It is devoted to an 18-month journey through Europe, by Constantin Brâncuși, at the beginning of the 20th century. The film is not a documentary, nor really a biographical film, but a fiction imagined by the British director from a real fact of ...
Bird in Space (L'Oiseau dans l'espace) is a series of sculptures by Romanian sculptor Constantin Brâncuși. The original work was created in 1923 and made of marble. [1] This sculpture is also known for containing seven marble figures and nine bronze casts. [2] Brancusi created the piece over 14 times and in several mediums over a period of 20 ...
The Sleeping Muse (Romanian: Muza adormită or Muză dormind) is a bronze sculpture created by Constantin Brâncuși in 1910. It was originally carved from marble using Baroness Renée-Irana Frachon as the model. [1]
I moved the article back to "Constantin Brancusi" per Wikipedia:Naming_conventions_(standard_letters_with_diacritics)#Guideline_in_a_nutshell. Reference: Getty Union List of Artist Names. --sparkit TALK 17:03, 14 March 2007 (UTC) This moving back and forth between Brâncuşi and Brancusi is getting a bit disorienting.
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The Kiss (in Romanian: Sărutul /səruːtul/) is a sculpture by Romanian Modernist sculptor Constantin Brâncuși. It is an early example of his proto-cubist style of non-literal representation. This sculpture is considered the first modern sculpture of the twentieth century.