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For the monthly number-one songs of the decade, see List of number-one songs from the 1950s (Mexico). This is a list of the 10 most popular songs in Mexico for each year between 1950 and 1960, as published in the book "El Sound Track de la vida cotidiana", by Fernando Mejía Barquera. [1]
The following article lists the monthly number-one songs on the Mexican Selecciones Musicales chart from January 1950 to December 1960. The source for these charts is the book Musicosas: manual del comentarista de radio y televisión by Roberto Ayala, who was the director of the Selecciones Musicales magazine.
Most songs are about machismo, love, betrayal, death, politics, revolutionary heroes and even animals and country life from the genre's origins as rural son music. One particularly famous song is "La Cucaracha" ("The Cockroach"). [5] [21] Most mariachi groups are associated with family and religious celebrations along with serenades. A serenade ...
The best-known song of this type of son is called “La Negra.” Modern mariachi developed when brass instruments such as trumpets were added as well as influences from other styles of music. [7] Chilena music and dance is native to the coastal areas in the states of Guerrero and Oaxaca, which has a large Afro-Mexican community. [10]
Each subgenre is representative of a certain region and its popularity also varies by regions. Subgenres include banda, country en Español, Duranguense, grupero, mariachi, New Mexico music, Norteño, Sierreño, Tejano, and Tierra Caliente. [1] It is among the most popular radio formats targeting Mexican Americans in the United States. [2] [3] [4]
Guadalajara" is a well-known mariachi song written and composed by Pepe Guízar in 1937. [1] [2] Guízar wrote the song in honor of his hometown, the city of the same name and state capital of the Mexican state of Jalisco.
Las Canciones de mi Padre also is the only recording production in the world that used the three best Mariachi bands in the world: Mariachi Vargas, Mariachi Los Camperos and Mariachi Los Galleros de Pedro Rey. As of 2012, Canciones de Mi Padre had sold nearly 10 million copies worldwide.
The Mariachi Vargas recorded the Sones with arrangements and adaptations as patterns for other groups. This stratagem promoted the concept that all mariachi groups could be unified to those versions by taking them as examples. The traditional songs and the original sound of the mariachi began to mature in the 1950s.