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Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Alice Bailly (25 February 1872 – 1 January 1938) was a Swiss avant-garde painter, known for her interpretations on cubism, fauvism, futurism, her wool paintings, and her participation in the Dada movement. [1]
Three Musicians, also known as Musicians with Masks or Musicians in Masks, is a large oil painting created by Spanish artist Pablo Picasso. He painted two versions of Three Musicians . Both versions were completed in the summer of 1921 in Fontainebleau near Paris, France , in the garage of a villa that Picasso was using as his studio.
Cubism was an avant-garde art movement that revolutionized European painting and sculpture in the early 20th century. The essence of cubism is that instead of viewing subjects from a single, fixed angle, the artist breaks them up into a multiplicity of facets, so that several different aspects/faces of the subject can be seen simultaneously.
Alfred H. Barr, Jr., Cubism and Abstract Art, New York: Museum of Modern Art, 1936. John Cauman (2001). Inheriting Cubism: The Impact of Cubism on American Art, 1909-1936. New York: Hollis Taggart Galleries. ISBN 978-0-9705723-4-9. Cooper, Douglas (1970). The Cubist Epoch. London: Phaidon in association with the Los Angeles County Museum of Art ...
Georges Braque, 1908, Maisons et arbre (Houses at l'Estaque), oil on canvas, 40.5 x 32.5 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art Artists at the forefront of the Parisian art scene at the outset of the 20th century would not fail to notice the tendencies toward abstraction inherent in the work of Cézanne, and ventured still further. [6]
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The Blue Bird (French: L'Oiseau bleu) is an oil painting created in 1912–1913 by the French artist and theorist Jean Metzinger. L'Oiseau bleu, one of Metzinger's most recognizable and frequently referenced works, was first exhibited in Paris at the Salon des Indépendants in the spring of 1913 (cat. no. 2087), [1] several months after the publication of the first (and only) Cubist manifesto ...