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In the beginning, shoulder pads were shaped as a semicircle or small triangle and were stuffed with wool, cotton, or sawdust. They were positioned at the top of the sleeve to extend the shoulder line. A good example of this is their use in "leg o' mutton" sleeves or the smaller puffed sleeves which are based on styles from the 1890s. In men's ...
Get the Amazon Aware Jersey Puff Sleeve Crewneck Top for just $25 at Amazon! Please note, prices are accurate at the date of publication, March 2, 2022, but are subject to change. Amazon Aware is ...
Juliet sleeve: A long, tight sleeve with a puff at the top, inspired by fashions of the Italian Renaissance and named after Shakespeare's tragic heroine; popular from the Empire period through the 1820s in fashion, again in the late 1960s under the influence of Zeffirelli's film Romeo and Juliet; compare with gigot/leg-o'-mutton sleeves Kimono ...
Fashion illustration is the art of communicating fashion ideas in a visual form through the use of drawing tools or design-based software programs. It is mainly used by fashion designers to brainstorm their ideas on paper or digitally. Fashion illustration plays a major role in design - it enables designers to preview garment ideas before they ...
A ruff from the early 17th century: detail from The Regentesses of St Elizabeth Hospital, Haarlem, by Verspronck A ruff from the 1620s. A ruff is an item of clothing worn in Western, Central and Northern Europe, as well as Spanish America, from the mid-16th century to the mid-17th century.
Bathing suit, 1890-1895, nautical fashion : navy color and sailor collar and sleeves; Day dresses of 1892 have low waists and high necklines. Sleeves have a high, gathered sleeve-head and are fitted to the lower arm. Skirts are fuller in back than front. Gowns of 1892–3 feature short or elbow-length full, puffed sleeves and floral trimmings.
His flat shoes have square toes and bows on the instep, and are worn with white stockings, 1827. Alexander Pushkin wears a black coat, black silk cravat and plaid shawl. Russian, 1827. Goethe wears a coat with a slight puff at the sleeve head, a satin lining turned back to form lapels, and a high contrasting collar over a patterned waistcoat ...
Toward the end of the period, shirts (French chemise, Italian camicia, Spanish camisa) began to be full through the body and sleeves with wide, low necklines; the sleeves were pulled through the slashings or piecing of the doublet sleeves to make puffs, especially at the elbow and the back of the arm.