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Interval diagram for Ukrainian Dorian. The Ukrainian Dorian scale is sometimes described as a Dorian mode with a raised fourth degree. It shares the same intervals as the Harmonic minor scale and the Phrygian dominant scale. It can be seen, as Idelsohn originally described it in the 1910s, as a seven-note scale. [3]
The Ukrainian Dorian mode (also known as Mi sheberach mode) is a combined scale built upon the seventh degree of the Ahavah Rabbah scale. It is also closely related to the Magein Avot mode, in that a pre-concluding phrase in Ukrainian Dorian can cadence on its supertonic , which is the 5th degree of the relative Magein Avot scale.
The Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it); one of the medieval musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself.
85.7 — — — Dorian mode: Dorian on C. Play ... Ukrainian Dorian scale: Ukrainian Dorian mode on C. Play ...
The Dorian mode, and Aeolian dominant scale (Dorian ♯3 ♭6 scale), and Neapolitan major scale (Dorian ♭2 ♯7 scale), and double harmonic scale (Dorian ♭2 ♯3 ♭6 ♯7 scale), are all self-dual. [citation needed] However, there are no harmonic scales that are self-dual.
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A heptatonic scale is a musical scale that has seven pitches, or tones, per octave. Examples include: the diatonic scale; including the major scale and its modes (notably the natural minor scale, or Aeolian mode) the melodic minor scale, like the Aeolian mode but with raised 6th and 7th ascending
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