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Between 1920 and 1955, flamenco shows began to be held in bullrings and theaters, under the name "flamenco opera". This denomination was an economic strategy of the promoters, since opera only paid 3% while variety shows paid 10%. At this time, flamenco shows spread throughout Spain and the main cities of the world.
According to a legend, the name of the song refers to a cantaora (woman singer) called "La Petenera", who was born there. She was reported to be, owing to her seduction power, the "damnation of men". The name "Petenera" would be a phonetic corruption of "Paternera" (born in Paterna). This theory was sustained by folklorist Demófilo.
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
a measure or bar; flamencos use the word to mean both (a) the name of the type of twelve-count and (b) the rhythmic skill of a performer contratiempo cross-rhythms; including syncopation and rubato copla verse of cante flamenco, as against the cuple of a (non-flamenco) canto coraje a way of performing that shows impetuosity or daring (lit ...
In the 1970s and 80s, salsa, blues, rumba and other influences were added to flamenco, along with music from India. Ketama's 1988 debut, Ketama, was especially influential. At the beginning of the 1990s, the Madrid label Nuevos Medios became closely associated with the new flamenco fusion music, which came to be called nuevo flamenco.
The soleá went again into disfavour after the birth of New Flamenco. Followers of Camarón de la Isla and his school tend to pay less attention to traditional, "hard" styles, and favour other more festive "palos" like Bulerías or tangos, which are easier to mix with pop and commercial music influences.
According to the experts, the name does not derive from "nocturnal rounds", as some have suggested, but is based solely on the name of the town Ronda. The rondeña spread enormously throughout Andalusia in the 19th century, to such an extent that numerous foreign observers, touring the region at the time, referred to it later in their writings.
Cante jondo (Spanish: [ˈkante ˈxondo]) is a vocal style in flamenco, an unspoiled form of Andalusian folk music. The name means "deep song" in Spanish, with hondo ("deep") spelled with J (Spanish pronunciation:) as a form of eye dialect, because traditional Andalusian pronunciation has retained an aspirated H lost in other forms of Spanish.