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Santana is the third studio album by the American rock band Santana. The band's second self-titled album, it is often referred to as III or Santana III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand, after its album cover image.
Guajira [ɡwaˈxi.ɾa] is a music genre derived from the punto cubano.According to some specialists, [1] the punto cubano was known in Spain since the 18th century, where it was called "punto de La Habana", and by the second half of the 19th century it was adopted by the incipient Spanish Flamenco style, which included it within its "palos" with the name of guajira. [2]
"No One to Depend On" is a song by Latin rock band Santana, from their 1971 album, Santana III. The main melody of the song is taken from "Spanish Grease", first recorded by Willie Bobo in 1965. It was written by Mike Carabello , Coke Escovedo , and Gregg Rolie .
Santana is the debut studio album by American Latin rock band Santana. It was released on August 22, 1969. It was released on August 22, 1969. Over half of the album's length is composed of instrumental music, recorded by what was originally a purely free-form jam band .
Sacred Fire: Live in South America is an album by Santana, released in 1993.This album is dedicated to the life of Cesar Chavez.The title, "Live in South America", is not correct, as the location of the concert production, Mexico City, is not located on the continent of South America.
The version of the song on Mambo Birdland is a Santana-sized version. When interviewed, Puente explained how he was initially outraged by his song being covered by a rock band, until he received his first royalty check. [5] Santana's version was inducted into the Latin Grammy Hall of Fame in 2001 [11] and the Grammy Hall of Fame in 2002.
Santana is an American rock band, formed in 1966 by American guitarist Carlos Santana, which has performed for five decades.. The group's first concert tours were North America, with performances in Europe, where they performed at small and medium-size venues and rock festivals.
The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bulerías, a brooding farruca, an anguished martinete, and a satiric fandango de Huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.