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No sharps or flats in a key signature can indicate that the music is in the key of C major / A minor, or that the piece is modal or atonal (does not have a key signature). An example is Bartók's Piano Sonata, which has no fixed key and is highly chromatic.
B-flat minor is traditionally a 'dark' key. [1] The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation that occurs in the first minuet of Franz Krommer's Concertino in D major, Op. 80. [2]
4 flats 18 Either G# minor: 5 sharps Alkan wrote a piece in A♭ minor, and Brahms a fugue in this key, but most composers have preferred G# minor. or A♭ minor: 7 flats 19 A major: 3 sharps 20 A minor: No sharps or flats 21 B♭ major: 2 flats 22 Either B♭ minor: 5 flats No well-known sets of 24 pieces include A# minor.
A key signature indicates the prevailing key of the music and eliminates the need to use accidentals for the notes that are always flat or sharp in that key. A key signature with no flats or sharps generally indicates the key of C major or A minor, but can also indicate that pitches will be notated with accidentals as required.
(The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor, and to some extent, with the keys of G-flat major and F-sharp minor). For example, in his Prelude No. 15 in D-flat major ("Raindrop"), Frédéric Chopin switches from D-flat major to C-sharp minor for the middle section in the parallel minor, while in his ...
For example, a piece in E minor will have one sharp in its key signature because the E natural minor scale has one sharp (F ♯). Major and minor keys that share the same key signature are relative to each other. For instance, F major is the relative major of D minor since both have key signatures with one flat. Since the natural minor scale is ...
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
The Aeolian mode is identical with the natural minor scale. Thus, it is ubiquitous in minor-key music. The following is a list of some examples that are distinguishable from ordinary minor tonality, which also uses the melodic minor scale and the harmonic minor scale as required. Traditional – "God Rest You Merry, Gentlemen"