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Sit Down Young Stranger is Canadian singer Gordon Lightfoot's sixth original album and his best-selling original album. [2] Shortly after its 1970 release on the Reprise Records label, it was renamed If You Could Read My Mind when the song of that title reached #1 on the RPM Top Singles chart in Canada and #5 on the Billboard Hot 100 in the US.
"If You Could Read My Mind" is a song by Canadian singer-songwriter Gordon Lightfoot. Lightfoot wrote the lyrics while he was reflecting on his own divorce. Lightfoot wrote the lyrics while he was reflecting on his own divorce.
Users of Ultimate Guitar are able to view, request, vote and comment on tablatures in the site's forum. Guitar Pro and Power Tab files can be run through programs in order to play the tablature. Members can also submit album, multimedia and gear reviews, as well as guitar lessons and news articles. Approved works are published on the website.
American V: A Hundred Highways is a posthumously released studio album by Johnny Cash.It was released on July 4, 2006, by American Recordings.As the title implies, it is the fifth entry in Cash's American series.
Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord
It was released as a single and reached number 25 on the UK Singles Chart in March 1995, becoming the duo's second top-40 hit in the UK. [47] It also reached number 41 on the Dutch Single Top 100, becoming their only song to chart in the Netherlands. [48] The opening melody of "Save a Prayer" forms the basis of Viper's 1997 single "Titty Twister".
If You Could Read My Mind: Release date: 1990; Label: Reprise Records — — — The Original Lightfoot: Release date: 1992; Label: United Artists Records; 58 — — The United Artists Collection: Release date: 1993; Label: United Artists Records — — — Songbook: Release date: June 15, 1999; Label: Rhino Entertainment ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.