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Hallelujah is a 7-track EP by Madchester band Happy Mondays, released in the US and Australia in 1989 and featuring a number of remixes by Paul Oakenfold. [4] [5] "Hallelujah (MacColl Mix)" was created by Steve Lillywhite and features Kirsty MacColl. [6]
A music video to accompany the release of the MK remix was first released onto YouTube on 23 September 2013 at a total length of three minutes and eleven seconds. [3] Set in the 1920s, it shows an eyepatch-wearing man dressed as a white lion in a suit. After leaving his hotel room, he dances to get attention from women.
Now That's What I Call Club Hits is a compilation album released on September 22, 2009. [2] This is the first album in the U.S. Now! series (and first "Now!" Dance compilation release outside Europe) to consist entirely of tracks and remixes made in the electronic dance music genre.
A remix album is an album consisting of remixes or rerecorded versions of an artist's earlier released material. The first act who employed the format was American singer-songwriter Harry Nilsson ( Aerial Pandemonium Ballet , 1971). [ 1 ]
The Spookshow Baby Remix-a-Go-Go promotional LP was released on November 30, 1999. [26] The album consists of five remix, four of which had previously appeared on American Made Music to Strip By. [26] The fifth and final remix was an additional remix of "Spookshow Baby". [26]
At last, Charli XCX has revealed the features on her upcoming “Brat” remix album: Ariana Grande, Julian Casablancas, BB Trickz, Bon Iver, Bladee, the 1975, the Japanese House, Tinashe, Shygirl ...
Supersexy Swingin' Sounds is a remix album by White Zombie.It was released through Geffen Records in 1996 and was the band's final release. The album consists of remixes of tracks from their previous release, Astro Creep 2000, except "I'm Your Boogie Man" by KC and the Sunshine Band.
Andy Kellman of AllMusic gave the album 3 out of 5 stars, writing that, "'Un-Break My Heart: The Remix Collection' is a nice change of pace from the typical patched-together cash-in compilation of remixes," praising Hex Hector for "allowing enough room for the bulk of each track to play, rather than showing off quick-wristed skills that would likely knock the wind out of the selections."