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Twilight is the first soundtrack to hit #1 in advance of its film's release since the 8 Mile soundtrack in 2002. [25] The album was certified double platinum on April 16, 2009. [ 26 ] After a re-release of the album in a "Deluxe Edition" in March, 2009, it climbed from #14 to #3 on the Billboard 200, selling 74,000 copies.
According to the digital sheet music published by Alfred Publishing Co. Inc., "Decode" was composed in the key of B-flat minor and set in common time to a "moderately slow" tempo of 84 BPM. [8] The song features a vocal range of one octave, seven notes, and one semi-tone – from the note of G 3 to the note of F 5 – and follows a chord ...
song: voice and piano, from Salut d’Amour, Op. 12, adapted by Max Laistner [96] — Percy E. Pinkerton: Schott 1900 "The Pipes of Pan" song: voice and piano — Adrian Ross: Boosey 1901 "Always and Everywhere" song: voice and piano, from the Polish of Krasiński — F. H. Fortey [98] Boosey 1901 "Come, Gentle Night!" song: voice and piano ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Oh, soft was the song is a song with words by Gilbert Parker set to music by the English composer Edward Elgar in 1910, as his Op. 59, No. 3. It is the second and last verse of a poem At Sea which Parker published in Volume I of a series of poems called Embers .
The song was released worldwide as a digital download on October 18, 2011 and serves as the second single by Atlantic Records from the movie's official soundtrack. [2] Perri re-recorded the song with vocals from Steve Kazee for the sequel The Twilight Saga: Breaking Dawn – Part 2 (2012). It was also produced by Hodges.
Twilight is a song with music by the English composer Edward Elgar written in 1910 as his Op. 59, No. 6. Elgar set the words of the poem The Twilight of Love, from Volume 2 of a series of poems called Embers by Sir Gilbert Parker. The Opus 59 songs were part of a song-cycle of six romantic songs by Parker that was never completed – Nos 1, 2 ...
There is a separate history of music ciphers utilizing music notation to encode messages for reasons of espionage or personal security that involved encryption and/or steganography. Because of the multitudinous ways in which notes and letters can be related, detecting hidden ciphers in music and proving accurate decipherment can be difficult.
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