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Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording .
The second wave of sound recording history was ushered in by the introduction of Western Electric's integrated system of electrical microphones, electronic signal amplifiers and electromechanical recorders, which was adopted by major US record labels in 1925. Sound recording now became a hybrid process — sound could now be captured, amplified ...
Compared to vinyl record, it was noticed that CD was far more revealing of the acoustics and ambient background noise of the recording environment. [37] For this reason, recording techniques developed for analog disc, e.g., microphone placement, needed to be adapted to suit the new digital format. [37]
There are a number of well-developed microphone techniques used for recording musical, film, or voice sources or picking up sounds as part of sound reinforcement systems. The choice of technique depends on a number of factors, including: The wish to capture or avoid the collection of extraneous noise.
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied ...
In the United States, Harvey Fletcher of Bell Laboratories was also investigating techniques for stereophonic recording and reproduction. One of the techniques investigated was the wall of sound, which used an enormous array of microphones hung in a line across the front of an orchestra. Up to 80 microphones were used, and each fed a ...
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