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Armchair theorizing, also known as armchair philosophizing or armchair scholarship, is an approach to providing new developments in a field that does not involve primary research or data collection – but instead analysis or synthesis of existent scholarship. The term is typically pejorative, implying such scholarship is weak or frivolous.
Armchair revolutionary (or armchair activist and armchair socialist) is a description, often pejorative, of a speaker or writer who professes radical aims without taking any action to realize them, as if pontificating "from the comfort of the armchair".
In his 1956 memoir, British military officer John Bagot Glubb denied accusations of antisemitism for his criticism of Israel, writing: "It does not seem to me to be either just or expedient that similar criticisms directed against the Israeli government should brand the speaker with the moral stigma generally associated with anti-Semitism."
The word "radical" derives from the Latin word "radix" ("root"). Thus, radical criticism means criticism that goes to the root of things, to the roots of the problem. Revolutionary criticism is criticism that aims to overturn or overthrow an existing idea or state of affairs. Thus, an existing idea may be turned upside down.
Social criticism can be expressed in a fictional form, e.g. in a revolutionary novel like The Iron Heel (1908) by Jack London, in dystopian novels like Aldous Huxley's Brave New World (1932), George Orwell's Nineteen Eighty-Four (1949), Ray Bradbury's Fahrenheit 451 (1953), amd Rafael Grugman's Nontraditional Love (2008), or in children's books or films.
Savonarola chair, a folding armchair dating from the Italian Renaissance. Typically constructed of walnut, it is sometimes called an X-chair. The Savonarola chair was the first important folding armchair created during the Italian Gothic Renaissance period. Sawbuck chair, officially the CH29 chair, by Hans Wegner for Carl Hansen & Søn (1952).
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Full chairs were much rarer in early Egypt, being limited to only wealthy and high ranking people, and seen as a status symbol; they did not reach ordinary households until the 18th dynasty. [22] Early examples were formed by adding a straight back to a stool, while later chairs had an inclined back. [ 22 ]