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"LA Devotee" is a song by American rock band Panic! at the Disco. It was released as the first promotional single from the band's fifth studio album, Death of a Bachelor, on November 26, 2015 (Thanksgiving Day) through Fueled by Ramen and DCD2. The song was written by Brendon Urie, White Sea and Jake Sinclair and was produced by Sinclair.
Both Alfred Cortot (in La musique française de piano, PUF, 1932) and Francis Poulenc (Emmanuel Chabrier, 1961) discuss these short works enthusiastically. César Franck, at their premiere in 1881, remarked that those present had "just heard something exceptional. This music links our own time to that of Couperin and Rameau". [2]
Le Ton beau de Marot: In Praise of the Music of Language is a 1997 book by Douglas Hofstadter in which he explores the meaning, strengths, failings and beauty of translation. The book is a long and detailed examination of translations of a minor French poem and, through that, an examination of the mysteries of translation (and indeed more ...
Just out of the surrealist experience of Les Six, Poulenc dared to bring the bawdy songs into the concert halls.On the one hand, the text of Les Chansons gaillardes comes from anonymous texts of the seventeenth century, written in a tone of celebration and alcohol: "texts rather scabrous", [3] according to Francis Poulenc himself.
One of the most famous French-speaking Asian artists is Anggun, a French-naturalised singer from Indonesia, best known for her single La Neige au Sahara (Snow on the Sahara) written by Erick Benzi. The song was released in 1997 as her debut international single in 33 countries worldwide, and made the charts in Europe (#1 in Italy), America (#16 ...
"Adoro te devote" is a prayer written by Thomas Aquinas. [1] Unlike hymns which were composed and set to music for the Solemnity of Corpus Christi, instituted in 1264 by Pope Urban IV for the entire Latin Church [2] of the Catholic Church, it was not written for a liturgical function and appears in no liturgical texts of the period; some scholars believe that it was written by the friar for ...
Satie wrote the Trois mélodies for mezzo-soprano Jane Bathori, a star of the Parisian opera world and a vigorous promoter of new French music. Although Bathori knew of Satie's reputation through their mutual friend Claude Debussy , [ 9 ] the two did not actually meet until early April 1916, in preparation for an upcoming Ravel -Satie Festival ...
Trois Chansons, M 69, is a composition by Maurice Ravel for a cappella choir, set to his own texts. Ravel began the composition in December 1914 in response to the outbreak of World War I, in which he hoped to be enlisted to fight for France.