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Attendants at a wedding wear solid-colored mantuas with closed petticoats and open-fronted bodices. Elbow-length sleeves are cuffed. The ruffles of the shift are visible at neck and elbow, England, 1729. Sophia Dorothea of Prussia, Margravine of Brandenburg-Schwedt wears a silk brocade dress.
Brooke, Iris: Western European Costume II, Theatre Arts Books, 1966. de Marly, Diana: "Undress in the Œuvre of Lely", The Burlington Magazine, November 1978. Gordenker, Emilie E.S.: Van Dyck and the Representation of Dress in Seventeenth-Century Portraiture, Brepols, 2001, ISBN 978-2-503-50880-1
English shot (changeable) silk taffeta morning dress is trimmed with silk satin and machine-made lace, c. 1865. Los Angeles County Museum of Art, M.2007.211.942a-b. Emilie Menzel wears her hair in a net snood. Her morning dress has a pointed waist and slightly puffed, long sleeves, 1866.
From old superstitions to comical customs.
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
So, you dropped $300 on an eccentrically-colored bridesmaid dress with a giant bow for one night of dancing, wine stains and too many photo opportunities.
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