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The creepypasta showed an image exemplifying a liminal space—a hallway with yellow carpets and wallpaper—with a caption purporting that by "noclipping out of bounds in real life", one may enter the Backrooms, an empty wasteland of corridors with nothing but "the stink of old moist carpet, the madness of mono-yellow, the endless background ...
A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
In large, formal homes, a sitting room is often a small private living area adjacent to a bedroom, such as the Queens' Sitting Room and the Lincoln Sitting Room of the White House. [ 4 ] In the late 19th or early 20th century, Edward Bok advocated using the term living room for the room then commonly called a parlo[u]r or drawing room , and is ...
This list of house styles lists styles of vernacular architecture – i.e., outside any academic tradition – used in the design of houses. African
Her designs were light, with fresh colors and delicate Chinoiserie furnishings, as opposed to the Victorian preference of heavy, red drapes and upholstery, dark wood and intensely patterned wallpapers. Her designs were also more practical; [20] she eliminated the clutter that occupied the Victorian home, enabling people to entertain more guests ...
Newport two- and three-bedroom models, which had no bay windows, offered tripartite windows in the dining/living room area. A model of the Meadowbrook home shows that the design would have provided two tripartite windows, both in the dining/living room area, similar to those in the Newport line. [12]
BIOPHILIC DESIGN: THE THEORY, SCIENCE AND PRACTICE OF BRINGING BUILDINGS TO LIFE, edited by Stephen R. Kellert, Judith Heerwagen, and Martin Mador (John Wiley, New York, 2008). ISBN 978-0-470-16334-4; LERA, S. G. (1980). Designers' values and the evaluation of designs. PhD thesis, Department of Design Research. London, Royal College of Art.
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