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"Ave Maria" is a setting of the Latin prayer Ave Maria, originally published in 1853 as "Méditation sur le Premier Prélude de Piano de S. Bach ". [1] The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of Bach's Prelude No. 1 in C major , BWV 846, from ...
The opening words and refrain of Ellen's song, namely "Ave Maria" (Latin for "Hail Mary"), may have led to the idea of adapting Schubert's melody as a setting for the full text of the traditional Roman Catholic prayer, "Ave Maria". The Latin version of the "Ave Maria" is now so frequently used with Schubert's melody that it has led to the ...
When staying in Wels during the summer of 1881 Bruckner met Luise Hochleitner, a singer with a beautiful alto voice. [1] Bruckner promised to dedicate to her an Ave Maria.The work, which was composed on 5 February 1882, —almost 20 years after his more famous motet— is for alto (or baritone) solo voice and keyboard (organ, piano or harmonium).
Ave Maria (Schubert) Usage on is.wikibooks.org Saga þýska-ljóðsins; Usage on it.wikipedia.org Ellens dritter Gesang; Usage on ja.wikipedia.org アヴェ・マリア; エレンの歌第3番; Usage on ko.wikipedia.org 아베 마리아 (슈베르트) Usage on nl.wikipedia.org Franz Schubert; Ave Maria (Schubert) Usage on no.wikipedia.org Franz ...
Franz Schubert's best known song cycles, like Die schöne Müllerin and Winterreise are based on separate poems with a common theme and narrative. Other song cycles are based on consecutive excerpts of the same literary work: Schubert's "Ave Maria" is part of such a song cycle based on excerpts of the same poem, in this case by Walter Scott.
Ave Maria: Alleluja et Ave Maria d'Arcadelt: piano 1862 S.183 The Alleluja was based on themes from Liszt's own Cantico del sol di San Francesco d'Assisi, S.4. [3] The Ave Maria was based on Dietsch's Ave Maria, a setting for unaccompanied voices (1842?) loosely based on Jacques Arcadelt's three-part madrigal Nous voyons que les hommes. [1 ...
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Ave Maria (Hail Mary), [1] WAB 6, is a sacred motet by Anton Bruckner, a setting of the Latin prayer Ave Maria. He composed it in Linz in 1861 and scored the short work in F major for seven unaccompanied voices. The piece, sometimes named an Offertorium, was published in Vienna in 1867.