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Unlike other forms of Japanese architecture (such as those of the sukiya (数寄屋) style), it is the structure rather than the plan that is of primary importance to the minka. [3] Minka are divided up with primary posts that form the basic framework and bear the structural load of the building; secondary posts are arranged to suit the ...
Nagaya (長屋, "longhouse") is a type of Japanese rowhouse that was typical during the Edo period (1603–1868). [ 1 ] Nagaya was a long housing complex under the same ridge, one or two stories high, divided into small compartments for rent.
Ora ora gyaru [54] [55] is one that is most often compared to or confused with ane gyaru due to the fact that both styles were brought to the Japanese public's eye attention through the bōsōzoku, yankī and Japanese biker gang culture with gyaru makeup and style. The gyaru magazine of choice is Soul Sister. This style can be understood by its ...
In contrast to Waters's neoclassical style building, Japanese carpenters developed a pseudo-Japanese style known as giyōfū [44] chiefly using wood. A good example of which is Kaichi Primary School in Nagano Prefecture built in 1876. The master carpenter Tateishi Kiyoshige travelled to Tōkyō to see which Western building styles were popular ...
Additionally, advertisements quote the sizes of the rooms—most importantly, the living room—with measurements in tatami mats (jō (畳) in Japanese), traditional mats woven from rice straw that are standard sizes: 176 by 88 cm (69 by 35 in) in the Tokyo region and 191 cm by 95.5 cm in western Japan. "2DK; one six-tatami Japanese-style room ...
Shoin-zukuri (Japanese: 書院造, 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
Ganguro (ガングロ) is an alternative fashion trend among young Japanese women which peaked in popularity around the year 2000 and evolved from gyaru.. The Shibuya and Ikebukuro districts of Tokyo were the centres of ganguro fashion; it was started by rebellious youth who contradicted the traditional Japanese concept of beauty; pale skin, dark hair and neutral makeup tones.
As the style developed, the moya became a formal, public space, and the hisashi was divided into private spaces. [5] Since the shinden-zukuri-style house flourished during the Heian period, houses tended to be furnished and adorned with characteristic art of the era. In front of the moya across the courtyard is a garden with a pond.
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