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For example, in Spanish, the masculine gender generally precedes the feminine, and the default form of address for a group of students is the masculine plural los estudiantes, regardless of the gender composition of the group. On the other hand, the feminine plural las estudiantes refers to a group consisting only of female students. [2]
Furthermore, some see evidence of the intentional preference of the masculine over the feminine. It has been argued that 17th-century grammaticians who wanted to assert male dominance worked to suppress the feminine forms of certain professions, leading to the modern-day rule that prefers the masculine over the feminine in the French language. [4]
Nonetheless, in practice the French women's movement developed in much the same way as the feminist movements elsewhere in Europe or in the United States: French women participated in consciousness-raising groups; demonstrated in the streets on the 8 March; fought hard for women's right to choose whether to have children; raised the issue of ...
French personal pronouns (analogous to English I, you, he/she, we, and they) reflect the person and number of their referent, and in the case of the third person, its gender as well (much like the English distinction between him and her, except that French lacks an inanimate third person pronoun it or a gender neutral they and thus draws this distinction among all third person nouns, singular ...
Journal of Women's History 28.4 (2016): 134–143, deals with French nuns in 19th century. Diamond, Hanna. Women and the Second World War in France 1939-1948: Choices and Constraints (1999) Foley, Susan. Women in France Since 1789 (NYU, 2004)
The Second Sex (French: Le Deuxième Sexe) is a 1949 book by the French existentialist philosopher Simone de Beauvoir, in which the author discusses the treatment of women in the present society as well as throughout all of history.
Women in Ancient Greece wore himations; and in Ancient Rome women wore the palla, a rectangular mantle, and the maphorion. [54] The typical feminine outfit of aristocratic women of the Renaissance was an undershirt with a gown and a high-waisted overgown, and a plucked forehead and beehive or turban-style hairdo. [54]
The French feminist writer Hélène Cixous uses the term jouissance to describe a form of women's pleasure or sexual rapture that combines mental, physical and spiritual aspects of female experience, bordering on mystical communion: "explosion, diffusion, effervescence, abundance...takes pleasure (jouit) in being limitless". [9]