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The Silmarillion (Quenya: [silmaˈrilːiɔn]) is a book consisting of a collection of myths [a] [T 1] and stories in varying styles by the English writer J. R. R. Tolkien.It was edited, partly written, and published posthumously by his son Christopher Tolkien in 1977, assisted by Guy Gavriel Kay, who became a fantasy author.
Grond (Sindarin: Club) is the mace of Morgoth used against Fingolfin in The Silmarillion [T 59] as well as a battering ram in The Lord of the Rings, [1] [T 60] used to assault the Great Gate of Minas Tirith. Grond the battering ram was in-universe named after Morgoth's mace: "Grond they named it, in memory of the Hammer of the Underworld of old."
Ancalagon, or Ancalagon the Black, is a dragon that appears in the legends of British writer J. R. R. Tolkien, and particularly in his novel The Silmarillion.. Bred by Morgoth in the depths of his fortress of Angband, Ancalagon is present at the last battle of the First Age, which sees the battle between the armies of the Valar and Morgoth to free Middle-earth from the latter's yoke.
Maglor casts a Silmaril into the Sea by Ted Nasmith, 1997. The painting was used on the front cover of HarperCollins's illustrated edition of The Silmarillion in 1999. [1]J. R. R. Tolkien describes the history of the Silmarils in The Silmarillion, published after but in fiction long preceding the events of The Lord of the Rings.
Tuor Eladar and Idril Celebrindal are fictional characters from J. R. R. Tolkien's Middle-earth legendarium.They are the parents of Eärendil the Mariner and grandparents of Elrond Half-elven: through their progeny, they become the ancestors of the Númenóreans and of the King of the Reunited Kingdom Aragorn Elessar.
The complex tale of their love for each other and the quest they are forced to embark upon is a story of triumph against overwhelming odds but ending in tragedy. It appears in The Silmarillion, the epic poem The Lay of Leithian, the Grey Annals section of The War of the Jewels, and in the texts collected in the 2017 book Beren and Lúthien.
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...
In her view, between his early work, The Book of Lost Tales, [c] and the published Silmarillion, the Valar had greatly changed, "civilized and modernized", and this had made the Valar "slowly and slightly" more Christian. For example, the Valar now had "spouses" rather than "wives", and their unions were spiritual, not physical.