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Made and painted by Lucas Cranach the Elder, the painting depicts Jesus Christ with children, based on the New Testament verse "Suffer the little children to come unto me, and forbid them not: for of such is the kingdom of God" (Mark 10:14); a popular subject of Protestant iconography in line with the Lutheran teachings of Sola gratia and Sola Fide; salvation by grace through faith, a theme ...
The Christ Child and the Infant John the Baptist with a Shell or The Holy Children with a Shell (Spanish - Los Niños de la concha) is a 1670-1675 oil on canvas painting by Bartolomé Esteban Murillo, now in the Prado Museum in Madrid. One of the artist's most popular works, it was widely reproduced in prints and on plates. [1]
Pages in category "Paintings of Jesus" The following 200 pages are in this category, out of approximately 230 total. ... Christ Blessing the Children (Lucas Cranach ...
The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
The painting's first home was the collection of Fernando Enriquez Afan de Ribera, the 3rd Duke of Alcalá, from 1626 to 1637. [2] He purchased the painting in Rome while he was ambassador to the Holy See during 1625–1626. [2] In 1626, he became viceroy of Naples, and then later returned to Seville in 1631. [3]
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
The episode of the twelve-year-old Jesus in the temple is taken from the Gospel of Luke (Lk 2.42-50), and is often depicted in Christian art, for example in cycles on the life of Mary. Liebermann had the idea for this painting when he visited the Jewish quarter of Amsterdam in 1876.
The youngest of several children, Charles was sent to local schools and was graduated from Saint Louis University. [4] He later adopted the middle name “Bosseron” to reflect his French heritage. Chambers studied art for six years under Louis Schultz of the Berlin Royal Academy and then with Aleis Hrdliczka at the Royal Academy of Vienna.