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Bosniak from Sarajevo with a Šargija, 1906. The šargija (Serbo-Croatian: šargija, шаргија; Albanian: sharki or sharkia), anglicized as shargia, is a plucked, fretted long necked lute used in the folk music of various Balkan countries, including Bosnia and Herzegovina, Serbia, Albania, Kosovo and North Macedonia. [1]
According to The New Grove Dictionary of Music and Musicians, "the terms 'baÄŸlama' and 'saz' are used somewhat interchangeably in Turkey. 'Saz' is generally used interchangeably with 'enstrüman' (instrument) and it is used to refer single or group of musical instruments like 'üflemeli sazlar' (wind instruments). [2]
CümbüÅŸ Music is still an active company in Istanbul and manufactures a wide range of traditional Turkish instruments. [7] The instruments are hand made in the family's workshop in Istanbul, by three members of the CümbüÅŸ family, Naci Abidin CümbüÅŸ and his two sons Fethi and Alizeynel.
It is the precursor to the Irish bouzouki, an instrument derived from the Greek bouzouki that is popular in Celtic, English, and North American folk music. There are 3 main types of Greek bouzouki: the trichordo ( three-course ) has three pairs of strings (known as courses) the tetrachordo ( four-course ) has four pairs of strings, & then the ...
Before the Rahbanis popularized the use of this instrument, the buzuq had been associated with the music of Lebanon and Syria. Buzuk and other saz instruments date back to ancient times and originated in Persia. Similar instrument called barbat (Persian: بربت) or barbud was a lute of Greater Iranian or Persian origin.
Prince Dimitrie Cantemir: Theorist and Composer of Turkish music. Pan Books. ISBN 975-7652-82-2. Signell, Karl (1977). Makam: Modal practice in Turkish Art Music. Asian Music Publications. ISBN 0-306-76248-X. Stokes, Martin (2010). The Republic of Love: Cultural Intimacy in Turkish Popular Music. University of Chicago Press. ISBN 978-0-226-77505-0.
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