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Cümbüş Music is still an active company in Istanbul and manufactures a wide range of traditional Turkish instruments. [7] The instruments are hand made in the family's workshop in Istanbul, by three members of the Cümbüş family, Naci Abidin Cümbüş and his two sons Fethi and Alizeynel.
According to The New Grove Dictionary of Music and Musicians, "the terms 'bağlama' and 'saz' are used somewhat interchangeably in Turkey. 'Saz' is generally used interchangeably with 'enstrüman' (instrument) and it is used to refer single or group of musical instruments like 'üflemeli sazlar' (wind instruments). [2]
The cura (Turkish pronunciation:) is a plucked string folk instrument from Turkey. [1] It is the smallest and highest pitched member of the bağlama family of instruments. [ 2 ] It is found in nearly every region of the country with varying exact dimensions, tunings, playing techniques, and names including dede sazı, parmak cura, üç telli ...
The bouzouki (/ b uː ˈ z uː k i, b ʊ ˈ-/, [1] [2] also US: / b ə ˈ-/; [3] Greek: μπουζούκι; alt. pl. bouzoukia, Turkish: bozuk, from Greek μπουζούκια, from Turkish Turkish: bozuk düzen bağlama, bozuk saz, buzuk) is a musical instrument popular in the West Asia (Syria, Iraq), Europe and Balkans (Greece, North Macedonia, Bulgaria, Turkey).
The šargija usually accompanies the violin, and has a jangling quality, similar to the Turkish saz. Musician's play with "complex polyphonic techniques". [1] The sharki is a similar to or related to the two-string Çifteli or qiftelia, but with more strings.
Ashik Ağalar Mikayılov playing the saz Ashugh Jivani (center, playing the kamani) with instrumentalists Soviet stamp from 1962 devoted to Sayat-Nova's 250 anniversary.. An ashik (Azerbaijani: aşıq; Turkish: âşık) or ashugh (Armenian: աշուղ; Georgian: აშუღი) [1]: 1365 [2] [3] is traditionally a singer-poet and bard who accompanies his song—be it a dastan (traditional ...
The saz semai (also spelled in Turkish as saz sema'i, saz sema-i, saz sema i, saz semaī, saz semâ'î, sazsemai, saz semaisi, or sazsemaisi and in the Arab world as samâi) is an instrumental form in Ottoman classical music. It was typically the closing movement of a fasıl (i.e. suite).
Miniature of dancers and musicians performing at a circumcision ceremony.Dated 1530 from the Süleymanname. While it is well established that Ottoman music is closely related to its geographical neighbors, namely Byzantine, Persian and Arabic music, [9] early histories of Ottoman classical music, called "mythologies" by Feldman, emphasize a sense of continuity, as opposed to a synthesis of ...
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