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[8] On 8 October, the band performed four songs from the album for BBC Radio 1's John Peel show. [45] Performances of "Real by Real" and "Ten Feet Tall" recorded were later released for Drums and Wireless: BBC Radio Sessions 77–89 (1994). "Making Plans for Nigel" later rose to number 17 [40] and helped propel the album to number 37 in the UK ...
"High Voltage" is one of AC/DC's most popular songs, and has been included on four of the band's five official live releases: If You Want Blood You've Got It (sung by Bon Scott, 1978), Live: 2 CD Collector's Edition (sung by Scott's replacement Brian Johnson, 1992), Live from the Atlantic Studios (Scott, 1977), and Let There Be Rock: The Movie ...
Endless Wire is the Canadian singer Gordon Lightfoot's twelfth studio album, released in 1978 on Warner Bros. Records (#3149). The closing track, "The Circle Is Small", was a re-recording of a song from Lightfoot's fourth album, Back Here on Earth (1968). In the USA, Endless Wire peaked at #22 on Billboard 200 chart
Ten Feet Tall and Bulletproof is the fourth studio album by American country music artist Travis Tritt. It was released on Warner Bros. Records in 1994. It was released on Warner Bros. Records in 1994.
The song premiered in the United States during Super Bowl XLVIII in a Bud Light commercial and was viewed by around 100 million viewers. [5] Wrabel later released the original piano-based version of the song on May 19, 2014. [6] BuzzFeed named the Afrojack version of "Ten Feet Tall" one of the "35 Best Pop Songs You May Have Missed This Summer ...
On April 30, the 26-year-old New York-based TikToker sang a little ditty about searching for a wealthy, tall, blue-eyed Wall Street-type, then shared it with her followers without a second thought.
"Ten Feet Tall and Bulletproof" is a song written and recorded by American country music artist Travis Tritt. It was released in August 1994 as the second single and title track from the album Ten Feet Tall and Bulletproof. The song reached number 22 on the Billboard Hot Country Singles & Tracks chart. [1]
The song received critical acclaim from music critics. Writing for The Voice, music journalist Nelson George praised the song in his album review: "The centerpiece is the title cut...inspired by a passage in Dream of the Red Chamber, an 18th century Chinese novel." He described the imagery of the lyrics as "exotic and graceful", quoting "Come ...