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The poem is written in a brief, haiku-like free-verse form. [3] With regard to the inspiration for the poem, Williams wrote in 1954: ["The Red Wheelbarrow"] sprang from affection for an old Negro named Marshall. He had been a fisherman, caught porgies off Gloucester. He used to tell me how he had to work in the cold in freezing weather ...
Spring and All is a hybrid work consisting of alternating sections of prose and free verse.It might best be understood as a manifesto of the imagination. The prose passages are a dramatic, energetic and often cryptic series of statements about the ways in which language can be renewed in such a way that it does not describe the world but recreates it.
The title reflects a brief SMS exchange between Carrie and a restricted correspondent shortly after Dar Adal and Leland Bennett meeting, in which the first two verses of the William Carlos Williams' poem "The Red Wheelbarrow" are used: So much depends upon A red wheel barrow Glazed with rainwater Beside the white chickens [2]
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The tie-in book, Red Wheelbarrow, features a torn out page from the opening of Chapter XIV of Resurrection. The season 4 episode "eXit" features a floppy disk hidden in a copy of Resurrection that is also labelled "eXit" and which Elliot Alderson uses to try to shut down the machine built by Whiterose.
The story is written without the use of quotation marks, and the dialogue is not distinguished from the narrator's comments. The story is rendered from the subjective point of view of the doctor and explores both his admiration for the child and disgust with the parents, and his guilty enjoyment of forcefully subduing the stubborn child in an attempt to acquire the throat sample.
October 15 – T. S. Eliot establishes The Criterion magazine, containing the first publication of his poem The Waste Land. [3] This first appears in the United States later this month in The Dial (dated November 1) and is first published complete with notes in book form by Boni and Liveright in New York in December.