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There is a clear resemblance between the riff and the French song Colin prend sa hotte (published by Christophe Ballard in 1719), whose first five notes are identical. Colin prend sa hotte appears to derive from the lost Kradoudja, an Algerian folk song of the 17th century.
"Snake Charmer", initially titled "Genesis", as a reference to the Book of Genesis, is based on the biblical story of Adam and Eve. [27] It predates the band's reunion, and was a guitar riff DeLonge kept around to expand upon in the future. The song's coda was composed by Barker and engineer Chris Holmes. [52]
The album's songs have been performed by subsequent Rainbow line-ups and covered by other bands. Rainbow included an updated version of "Still I'm Sad" on their 1995 album Stranger in Us All . Blackmore's Night have released a folk rock cover version of "Self Portrait" on their second studio album Under a Violet Moon in 1999, and "Temple of the ...
"The Snake" is a song written and first recorded by civil-rights activist Oscar Brown in 1963; it became a hit single for American singer Al Wilson in 1968. [ 2 ] [ 3 ] The song tells a story similar to Aesop 's fable The Farmer and the Viper and the African American folktale "Mr. Snake and the Farmer".
"Snake Charmer" is a song by UK bhangra artist Panjabi MC and the first track to be lifted from his 2008 album Indian Timing. It was released as a single in the UK in May 2009. It was released as a single in the UK in May 2009.
Dave "Animal" Maltby – guitar on "Snake Charmer" and "Sleazy" François Kevorkian – production, drum programming on "Snake Charmer", synthesizer on "It Was a Camel" Jaki Liebezeit – drums on "Hold on to Your Dreams" Ben Mandelson – guitar on "It Was a Camel" Herb Powers Jr. – mastering; Paul "Groucho" Smykle – production, engineering
The number-specific middle sections contain one of three different improvised instrumental solos over a basic progression, featuring steel drums (numbers 2, 4, 9 and 12) electric guitar (3, 8 and 11) and soprano saxophone (5, 6, 7 and 10).
Eno described the "snake guitar" and "digital guitar" thus: "the kind of lines I was playing reminded me of the way a snake moves through the brush, a sort of speedy, forceful, liquid quality. Digital guitar is a guitar threaded through a digital delay but fed back on itself a lot so it makes this cardboard tube type of sound." [3]